Soft Opening, London

Sin Wai Kin

1/89 Sin Wai Kin, Dreaming the End
Fondazione Memmo, Rome, 2023

1/89 Sin Wai Kin, Dreaming the End
Fondazione Memmo, Rome,

1/89 Sin Wai Kin, Dreaming the End (still) 2023

1/89 Sin Wai Kin, Turner Prize
Tate Liverpool, 2022

1/89 Sin Wai Kin, The Breaking Story (still)
Commissioned by Sunpride Foundation and Tai Kwun Contemporary, 2022

1/89 Sin Wai Kin, The Story Cycle (still)
Commissioned by Somerset House, supported by the DCMS and Arts Council through the Culture Recovery Fund, 2022

1/89 Sin Wai Kin, the story changes the body changes (repeating)
The Guggenheim, New York, 2022

1/89 Sin Wai Kin, A Dream of Wholeness in Parts
Soft Opening, London, 2022

1/89 Sin Wai Kin, Taking off the construct day 3 2020
Makeup on facial wipe, 34.5 × 31.5 × 7 cm

1/89 Sin Wai Kin, Taking off the construct day 2 2020
Makeup on facial wipe, 34.5 × 31.5 × 7 cm

1/89 Sin Wai Kin, A Dream of Wholeness in Parts (still)
Produced by Chi-Wen Productions, Taipei Supported by Hayward Gallery touring for British Art Show 9, 2021
Single-channel video, 4K, colour, sound, 23 minutes 3 seconds

1/89 Sin Wai Kin, A Dream of Wholeness in Parts
Soft Opening, London, 2022

1/89 Sin Wai Kin, Hyper-Possible
Coventry Biennial, Coventry, 2021

1/89 Sin Wai Kin, Costume for Dreaming
British Art Show 9, Wolverhampton Art Gallery, 2021–22

1/89 Sin Wai Kin, Its Always You
Blindspot Gallery, Hong Kong, 2021

1/89 Sin Wai Kin, Death Mask (The Glory) 2016
Makeup on facial wipe, 34.5 × 31.5 × 7 cm

1/89 Sin Wai Kin, Face Value (Dollar Baby) 2017
Makeup on facial wipe, 34.5 × 31.5 × 7 cm

1/89 Sin Wai Kin, His Story 2017
Makeup on facial wipe, 34.5 × 31.5 × 7 cm

1/89 Sin Wai Kin, Lasting Impression 2017
Makeup on facial wipe, 34.5 × 31.5 × 7 cm

1/89 Sin Wai Kin, An embodied language 2019
Makeup on facial wipe, 34.5 × 31.5 × 7 cm

1/89 Sin Wai Kin, Island Universe 2020
Makeup on facial wipe, 34.5 × 31.5 × 7 cm

1/89 Sin Wai Kin, One Body 2020
Makeup on facial wipe, 34.5 × 31.5 × 7 cm

1/89 Sin Wai Kin, Someone who isn’t you 2020
Makeup on facial wipe, 34.5 × 31.5 × 7 cm

1/89 Sin Wai Kin, The boundary of you and not you 1 2020
Makeup on facial wipe, 34.5 × 31.5 × 7 cm

1/89 Sin Wai Kin, What we experienced of each other 2020
Makeup on facial wipe, 34.5 × 31.5 × 7 cm

1/89 Sin Wai Kin, Unrecognisable Infrastructure 2020
Makeup on facial wipe, 34.5 × 31.5 × 7 cm

1/89 Sin Wai Kin, The boundary of you and not you 2 2020
Makeup on facial wipe, 34.5 × 31.5 × 7 cm

1/89 Sin Wai Kin, A View From Elsewhere, Act 1 Part 1, Tell me everything you saw and what you think it means 2018
Film still

1/89 Sin Wai Kin, A View From Elsewhere
“Meetings on Art”, 58th Venice Biennale, 2019

1/89 Sin Wai Kin, She’s Hopeful
Soft Opening, London, 2020

1/89 Sin Wai Kin, Narrative Reflections on Looking
MOCA Zagreb, Croatia, 2020

1/89 Sin Wai Kin, Part Two/The Reprise of Cthulhu 2017
Film still

1/89 Sin Wai Kin, Narrative Reflections on Looking
MOCA Zagreb, Croatia, 2020

1/89 Sin Wai Kin, Part One/She Was More Than the Sum of My Parts 2016
Film still

1/89 Sin Wai Kin, Narrative Reflections on Looking
MOCA Zagreb, Croatia, 2020

1/89 Sin Wai Kin, If I had the words to tell you we wouldn’t be here now
“Meetings on Art”, 58th Venice Biennale, 2019
Ft. Matteo Gemolo (traverso)

1/89 Sin Wai Kin, A View From Elsewhere
“Kiss My Genders”, Hayward Gallery, London, 2019

1/89 Sin Wai Kin, If I had the words to tell you we wouldn’t be here now
Chi-Wen Gallery, Taipei, 2019

1/89 Sin Wai Kin, If I had the words to tell you we wouldn’t be here now
MOCA Toronto, 2019

1/89 Sin Wai Kin, Astral Bodies Electric, Make Up! with Sophia Al-Maria
“Transformer”, 180 Strand, London, 2019

1/89 Sin Wai Kin,
Soft Opening, London, 2020

1/89 Sin Wai Kin, Preface/Looking Without Touching 2017
Film still

1/89 Sin Wai Kin, Narrative Reflections on Looking
MOMENTA Biennial, Montreal, 2019

1/89 Sin Wai Kin, Part Three/Cthulhu Through the Looking Glass 2017
Film still

1/89 Sin Wai Kin, 1000 words unsaid 2017
Makeup on facial wipe, 21 × 17 cm

1/89 Sin Wai Kin, 1000 words unsaid (detail), 2017
Makeup on facial wipe, 21 × 17 cm

1/89 Sin Wai Kin, Performance with Shy One
“Do Disturb Festival”, Palais de Tokyo, Paris, 2019

1/89 Sin Wai Kin, A View From Elsewhere, Act 1 Part 3, Illocutionary Utterances 2018
Film still

1/89 Sin Wai Kin, A View From Elsewhere
“Hysteria”, PS/Y, London, 2018
Ft. Whiskey Chow and Shy One

1/89 Sin Wai Kin, A View From Elsewhere
“Steakhouse Live Festival”, Toynbee Studios, London, 2018
Ft. Whiskey Chow

1/89 Sin Wai Kin, Her story repeating itself 2017
Makeup on facial wipe, 21 × 17 cm

1/89 Sin Wai Kin, Her story repeating itself (detail), 2017
Makeup on facial wipe, 21 × 17 cm

1/89 Sin Wai Kin, The sky as an image, an image as a net
Serpentine Gallery Park Nights, London, 2018

1/89 Sin Wai Kin, Illocutionary Utterances
“Age of You”, MOCA Toronto, 2019,

1/89 Sin Wai Kin, The sky as an image, an image as a net
Serpentine Galleries Park Nights, London, 2018

1/89 Sin Wai Kin, Coming off effortlessly 2017
Makeup on facial wipe, 20 × 17 cm

1/89 Sin Wai Kin, Fun Bag 2015
Inflated balloons, carrier bag, coat hanger, 32 × 43 × 23 cm

1/89 Sin Wai Kin, Coming off effortlessly (detail), 2017
Makeup on facial wipe, 21 × 17 cm

<p><em>Dreaming the End</em></p> — *Dreaming the End*,
Fondazione Memmo, Rome, 2023

<p><em>Dreaming the End</em> (still)</p> — *Dreaming the End* (still), 2023

<p><em>Turner Prize</em></p> — *Turner Prize*,
Tate Liverpool, 2022

<p><em>The Breaking Story</em> (still)</p> — *The Breaking Story* (still),
Commissioned by Sunpride Foundation and Tai Kwun Contemporary, 2022

<p><em>The Story Cycle</em> (still)</p> — *The Story Cycle* (still),
Commissioned by Somerset House, supported by the DCMS and Arts Council through the Culture Recovery Fund, 2022

<p><em>the story changes the body changes (repeating)</em></p> — *the story changes the body changes (repeating)*,
The Guggenheim, New York, 2022

<p><em>A Dream of Wholeness in Parts</em></p> — *A Dream of Wholeness in Parts*,
Soft Opening, London, 2022

<p><em>Taking off the construct day 3</em></p> — *Taking off the construct day 3*, 2020

<p><em>Taking off the construct day 2</em></p> — *Taking off the construct day 2*, 2020

<p><em>A Dream of Wholeness in Parts</em> (still)</p> — *A Dream of Wholeness in Parts* (still),
Produced by Chi-Wen Productions, Taipei Supported by Hayward Gallery touring for British Art Show 9, 2021

<p>Hyper-Possible</p> — *Hyper-Possible*,
Coventry Biennial, Coventry, 2021

<p>Costume for Dreaming</p> — *Costume for Dreaming*,
British Art Show 9, Wolverhampton Art Gallery, 2021–22

<p>Its Always You</p> — *Its Always You*,
Blindspot Gallery, Hong Kong, 2021

<p>Death Mask (The Glory)</p> — *Death Mask (The Glory)*, 2016

<p>Face Value (Dollar Baby)</p> — *Face Value (Dollar Baby)*, 2017

<p>Lasting Impression</p> — *Lasting Impression*, 2017

<p>An embodied language</p> — *An embodied language*, 2019

<p>Island Universe</p> — *Island Universe*, 2020

<p>Someone who isn’t you</p> — *Someone who isn’t you*, 2020

<p>The boundary of you and not you 1</p> — *The boundary of you and not you 1*, 2020

<p>What we experienced of each other</p> — *What we experienced of each other*, 2020

<p>Unrecognisable Infrastructure</p> — *Unrecognisable Infrastructure*, 2020

<p>The boundary of you and not you 2</p> — *The boundary of you and not you 2*, 2020

<p>A View From Elsewhere, Act 1 Part 1, Tell me everything you saw and what you think it means</p> — *A View From Elsewhere, Act 1 Part 1, Tell me everything you saw and what you think it means*, 2018

<p>A View From Elsewhere</p> — *A View From Elsewhere*,
“Meetings on Art”, 58th Venice Biennale, 2019

<p>She’s Hopeful</p> — *She’s Hopeful*,
Soft Opening, London, 2020

<p>Narrative Reflections on Looking</p> — *Narrative Reflections on Looking*,
MOCA Zagreb, Croatia, 2020

<p>Part Two/The Reprise of Cthulhu</p> — *Part Two/The Reprise of Cthulhu*, 2017

<p>Part One/She Was More Than the Sum of My Parts</p> — *Part One/She Was More Than the Sum of My Parts*, 2016

<p>If I had the words to tell you we wouldn’t be here now</p> — *If I had the words to tell you we wouldn’t be here now*,
“Meetings on Art”, 58th Venice Biennale, 2019

<p>Astral Bodies Electric, Make Up! with Sophia Al-Maria</p> — *Astral Bodies Electric, Make Up! with Sophia Al-Maria*,
“Transformer”, 180 Strand, London, 2019

<p>Preface/Looking Without Touching</p> — *Preface/Looking Without Touching*, 2017

<p>Part Three/Cthulhu Through the Looking Glass</p> — *Part Three/Cthulhu Through the Looking Glass*, 2017

<p>1000 words unsaid</p> — *1000 words unsaid*, 2017

<p>Performance with Shy One</p> — *Performance with Shy One*,
“Do Disturb Festival”, Palais de Tokyo, Paris, 2019

<p>A View From Elsewhere, Act 1 Part 3, Illocutionary Utterances</p> — *A View From Elsewhere, Act 1 Part 3, Illocutionary Utterances*, 2018

<p>Her story repeating itself</p> — *Her story repeating itself*, 2017

<p>The sky as an image, an image as a net</p> — *The sky as an image, an image as a net*,
Serpentine Gallery Park Nights, London, 2018

<p>Illocutionary Utterances</p> — *Illocutionary Utterances*,
“Age of You”, MOCA Toronto, 2019,

<p>Coming off effortlessly</p> — *Coming off effortlessly*, 2017

Soft Opening

Exhibitions