Soft Opening, London

Rhea Dillon

1/59 Rhea Dillon, An Unholy Trinity (the) Imaginary, Symbolic and Real 2022
Sapele mahogany, 117 × 87 × 87 cm

1/59 Rhea Dillon, An Unholy Trinity (the) Imaginary, Symbolic and Real (detail), 2022
Sapele mahogany, 117 × 87 × 87 cm

1/59 Rhea Dillon, Seeing from nowhere the place in between 2022
Concrete and glass, 31.5 × 13 × 13 cm

1/59 Rhea Dillon, Cup runneth over, runneth out, runneth raw—I forget my body is about me 2022
Concrete and glass, 19 × 23 × 29.5 cm

1/59 Rhea Dillon, Sole Responsibility: Aged 12, but above (detail), 2022
Cut crystal, 24.7 × 10.3 × 1.6 cm

1/59 Rhea Dillon, Sole Responsibility: Aged 12, but above (detail), 2022
Cut crystal, 26 × 10.5 × 1.2 cm

1/59 Rhea Dillon, Vexilla Sumpta 2022
Oil and anti-climb paint on canvas, 105 × 210 cm

1/59 Rhea Dillon, Vexilla Sumpta (detail), 2022
Oil and anti-climb paint on canvas, 105 × 210 cm

1/59 Rhea Dillon, The Mythic Silent black Woman in an Act of Folding 2022
Oil on canvas, 45.7 × 183 cm

1/59 Rhea Dillon, The Mythic Silent black Woman in an Act of Folding (detail), 2022
Oil on canvas, 45.7 × 183 cm

1/59 Rhea Dillon, 42 Oakley 77 2019, from b to B 2022
Oil on canvas, 30 × 80 cm

1/59 Rhea Dillon, In spite of false Winds 2022
Oil on canvas, 30 × 80 cm

1/59 Rhea Dillon, Real Corporeal
Gladstone Gallery, New York, 2022

1/59 Rhea Dillon, 9/3 or I know how to fall (3) and I was born to nights (9)
Bold Tendencies, London, 2022

1/59 Rhea Dillon, The Sombre Majesty (or, on being the pronounced dead)
Soft Opening, London, 2022

1/59 Rhea Dillon, A Caribbean Ossuary 2022
Wooden cabinet and cut-crystal, 42 × 208 × 161.5 cm

1/59 Rhea Dillon, A Caribbean Ossuary (detail), 2022
Wooden cabinet and cut-crystal, 42 × 208 × 161.5 cm

1/59 Rhea Dillon, Every Ginnal Is A Star 2022
Plastic, 193 × 193 × 10 cm

1/59 Rhea Dillon, The Sombre Majesty (or, on being the pronounced dead)
Soft Opening, London, 2022

1/59 Rhea Dillon, New Wor(l)d. 2022
Sapele mahogany, oil stick and paper, 95.2 × 125 × 23 cm

1/59 Rhea Dillon, Both Low Hanging Fruit And The Scavenged High Rise – Either Way: Suspension. So, Slackening The Hold Here I Ask Through The Poethics Of Suspense, ‘How Can You Rest When Still Strung Up?’ 2022
Sapele mahogany crosier, bus seat moquettes and thread, 311 × 110 × 93 cm

1/59 Rhea Dillon, The Sombre Majesty (or, on being the pronounced dead)
Soft Opening, London, 2022

1/59 Rhea Dillon, Nonbody Nonthing No Thing
V.O Curations, 2021

1/59 Rhea Dillon, From Landing to arriva(L) In Clear Waters Only I Can Paint Black 2021
Foam, bus seats, non drying anti-climb paint, plastic, acrylic paint & bleach, 135 × 88 × 72 cm

1/59 Rhea Dillon, From Landing to arriva(L) In Clear Waters Only I Can Paint Black (detail), 2021
Foam, bus seats, non drying anti-climb paint, plastic, acrylic paint & bleach, 135 × 88 × 72 cm

1/59 Rhea Dillon, Painting (D-o-u-b-l-e-P-e-n-d-u-l-u-m) 2021
Acrylic on bamboo, 142 × 2 × 4 cm

1/59 Rhea Dillon, Painting (D-o-u-b-l-e-P-e-n-d-u-l-u-m) (detail), 2021
Acrylic on bamboo, 142 × 2 × 4 cm

1/59 Rhea Dillon, Faeces I 2021
Polyester backing and foam, 45 × 55 cm (59 × 73 cm framed)

1/59 Rhea Dillon, The Myth Of The Noble Savage, A Hoodlum Afar And A Saint At Her Desk 2021
360° dome mirror, Jamaican coins, chain and non drying anti-climb paint, 60 × 60 × 134 cm

1/59 Rhea Dillon, The Myth Of The Noble Savage, A Hoodlum Afar And A Saint At Her Desk (detail), 2021
360° dome mirror, Jamaican coins, chain and non drying anti-climb paint, 60 × 60 × 134 cm

1/59 Rhea Dillon, Incomplete Lysis 2021
Concrete and glass, 43 × 15 × 29 cm

1/59 Rhea Dillon, Incomplete Lysis (detail), 2021
Concrete and glass, 43 × 15 × 29 cm

1/59 Rhea Dillon, Faeces II 2021
Polyester backing and foam, 45 × 55 cm (59 × 73 cm framed)

1/59 Rhea Dillon, Ffaeces I 2021
Polyester backing and foam, 45 × 34 cm (59 × 73 cm framed)

1/59 Rhea Dillon, Ffaeces III 2021
Polyester backing and foam, 45 × 34 cm (59 × 73 cm framed)

1/59 Rhea Dillon, Nonbody Nonthing No Thing
V.O Curations, London, 2021

1/59 Rhea Dillon, Vexilla Maurus 2021
Oil on canvas, 206 × 106 cm

1/59 Rhea Dillon, Vexilla Maurus (detail), 2021
Oil on canvas, 206 × 106 cm

1/59 Rhea Dillon, Janus
Soft Opening, London, 2021

1/59 Rhea Dillon, Janus *pause* leaking fortified enclaves 2020
Sapele Mahogany, steel and fluids, 100 × 100 × 18 cm

1/59 Rhea Dillon, Cellar Door (A Litany) 2020
Anti climb paint, oil and newsprint on board, 86 × 51.5 cm

1/59 Rhea Dillon, Cellar Door (A Litany) (detail), 2020
Anti climb paint, oil and newsprint on board, 86 × 51.5 cm

1/59 Rhea Dillon, No Man Is An Island
Almine Rech, London , 2020

1/59 Rhea Dillon, Angels Die So Pigs Can Fly And Other Folks Tales 2020
Oil and acrylic on canvas, 40 × 30 cm

1/59 Rhea Dillon, Icarus! Icarus! Icarus! 2020
Oil and acrylic on canvas, 45.5 × 35.5 cm

1/59 Rhea Dillon, Dishwater and No Images
Peak Gallery, London, 2020

1/59 Rhea Dillon, These words took years to arrive *pause* leaking fortified enclaves 2020
Ink and acrylic paint on paper mounted onto felt noticeboard, 60 × 90 cm

1/59 Rhea Dillon, UdderAngel 2020
Acrylic on canvas, 100 × 150 cm

1/59 Rhea Dillon, Golgotha 2020
Thread on Barbie blanket mounted on rusted steel cross, 196 × 120 × 30 cm

1/59 Rhea Dillon, Atlas’ Duppeee Whoopeee Seat: women should stop cleaning faeces, everyone should clean faeces 2020
balloon, disinfectant, body oils & found object, 98 × 54 × 64 cm

1/59 Rhea Dillon, (Working Title) Browning 2025 2021
Video, colour, sound, 28 min

<p><em>An Unholy Trinity (the) Imaginary, Symbolic and Real</em></p> — *An Unholy Trinity (the) Imaginary, Symbolic and Real*, 2022

<p><em>Seeing from nowhere the place in between</em></p> — *Seeing from nowhere the place in between*, 2022

<p><em>Cup runneth over, runneth out, runneth raw—I forget my body is about me</em></p> — *Cup runneth over, runneth out, runneth raw—I forget my body is about me*, 2022

<p>Sole Responsibility: Aged 12, but above</p> — *Sole Responsibility: Aged 12, but above* (detail), 2022

<p><em>Sole Responsibility: Aged 12, but above</em></p> — *Sole Responsibility: Aged 12, but above* (detail), 2022

<p><em>Vexilla Sumpta</em></p> — *Vexilla Sumpta*, 2022

<p><em>The Mythic Silent black Woman in an Act of Folding</em></p> — *The Mythic Silent black Woman in an Act of Folding*, 2022

<p><em>42 Oakley 77 2019, from b to B</em></p> — *42 Oakley 77 2019, from b to B*, 2022

<p><em>In spite of false Winds</em></p> — *In spite of false Winds*, 2022

<p><em>Real Corporeal</em></p> — *Real Corporeal*,
Gladstone Gallery, New York, 2022

<p>9/3 or I know how to fall (3) and I was born to nights (9)</p> — *9/3 or I know how to fall (3) and I was born to nights (9)*,
Bold Tendencies, London, 2022

<p>The Sombre Majesty (or, on being the pronounced dead)</p> — *The Sombre Majesty (or, on being the pronounced dead)*,
Soft Opening, London, 2022

<p>A Caribbean Ossuary</p> — *A Caribbean Ossuary*, 2022

<p>Every Ginnal Is A Star</p> — *Every Ginnal Is A Star*, 2022

<p>New Wor(l)d.</p> — *New Wor(l)d.*, 2022

<p>Both Low Hanging Fruit And The Scavenged High Rise – Either Way: Suspension. So, Slackening The Hold Here I Ask Through The Poethics Of Suspense, ‘How Can You Rest When Still Strung Up?’</p> — *Both Low Hanging Fruit And The Scavenged High Rise – Either Way: Suspension. So, Slackening The Hold Here I Ask Through The Poethics Of Suspense, ‘How Can You Rest When Still Strung Up?’*, 2022

<p>Nonbody Nonthing No Thing</p> — *Nonbody Nonthing No Thing*,
V.O Curations, 2021

<p>From Landing to arriva(L) In Clear Waters Only I Can Paint Black</p> — *From Landing to arriva(L) In Clear Waters Only I Can Paint Black*, 2021

<p>Painting (D-o-u-b-l-e-P-e-n-d-u-l-u-m)</p> — *Painting (D-o-u-b-l-e-P-e-n-d-u-l-u-m)*, 2021

<p>The Myth Of The Noble Savage, A Hoodlum Afar And A Saint At Her Desk</p> — *The Myth Of The Noble Savage, A Hoodlum Afar And A Saint At Her Desk*, 2021

<p>Incomplete Lysis</p> — *Incomplete Lysis*, 2021

<p>Ffaeces III</p> — *Ffaeces III*, 2021

<p>Vexilla Maurus</p> — *Vexilla Maurus*, 2021

<p>Janus</p> — *Janus*,
Soft Opening, London, 2021

<p>Janus *pause* leaking fortified enclaves</p> — *Janus *pause* leaking fortified enclaves*, 2020

<p>Cellar Door (A Litany)</p> — *Cellar Door (A Litany)*, 2020

<p>No Man Is An Island</p> — *No Man Is An Island*,
Almine Rech, London , 2020

<p>Angels Die So Pigs Can Fly And Other Folks Tales</p> — *Angels Die So Pigs Can Fly And Other Folks Tales*, 2020

<p>Icarus! Icarus! Icarus!</p> — *Icarus! Icarus! Icarus!*, 2020

<p>Dishwater and No Images</p> — *Dishwater and No Images*,
Peak Gallery, London, 2020

<p>These words took years to arrive *pause* leaking fortified enclaves</p> — *These words took years to arrive *pause* leaking fortified enclaves*, 2020

<p>Atlas’ Duppeee Whoopeee Seat: women should stop cleaning faeces, everyone should clean faeces</p> — *Atlas’ Duppeee Whoopeee Seat: women should stop cleaning faeces, everyone should clean faeces*, 2020

<p>(Working Title) Browning 2025</p> — *(Working Title) Browning 2025*, 2021

Soft Opening

Exhibitions