1/59Rhea Dillon, An Unholy Trinity (the) Imaginary, Symbolic and Real 2022 Sapele mahogany, 117 × 87 × 87 cm1/59Rhea Dillon, An Unholy Trinity (the) Imaginary, Symbolic and Real (detail), 2022 Sapele mahogany, 117 × 87 × 87 cm1/59Rhea Dillon, Seeing from nowhere the place in between 2022 Concrete and glass, 31.5 × 13 × 13 cm1/59Rhea Dillon, Cup runneth over, runneth out, runneth raw—I forget my body is about me 2022 Concrete and glass, 19 × 23 × 29.5 cm 1/59Rhea Dillon, Sole Responsibility: Aged 12, but above (detail), 2022 Cut crystal, 24.7 × 10.3 × 1.6 cm 1/59Rhea Dillon, Sole Responsibility: Aged 12, but above (detail), 2022 Cut crystal, 24.7 × 10.3 × 1.6 cm1/59Rhea Dillon, Sole Responsibility: Aged 12, but above (detail), 2022 Cut crystal, 26 × 10.5 × 1.2 cm1/59Rhea Dillon, Sole Responsibility: Aged 12, but above (detail), 2022 Cut crystal, 26 × 10.5 × 1.2 cm1/59Rhea Dillon, Vexilla Sumpta 2022 Oil and anti-climb paint on canvas, 105 × 210 cm1/59Rhea Dillon, Vexilla Sumpta (detail), 2022 Oil and anti-climb paint on canvas, 105 × 210 cm1/59Rhea Dillon, The Mythic Silent black Woman in an Act of Folding 2022 Oil on canvas, 45.7 × 183 cm1/59Rhea Dillon, The Mythic Silent black Woman in an Act of Folding (detail), 2022 Oil on canvas, 45.7 × 183 cm1/59Rhea Dillon, 42 Oakley 77 2019, from b to B 2022 Oil on canvas, 30 × 80 cm1/59Rhea Dillon, In spite of false Winds 2022 Oil on canvas, 30 × 80 cm1/59Rhea Dillon, Real Corporeal Gladstone Gallery, New York, 2022 1/59Rhea Dillon, 9/3 or I know how to fall (3) and I was born to nights (9) Bold Tendencies, London, 2022 1/59Rhea Dillon, The Sombre Majesty (or, on being the pronounced dead) Soft Opening, London, 2022 1/59Rhea Dillon, A Caribbean Ossuary 2022 Wooden cabinet and cut-crystal, 42 × 208 × 161.5 cm1/59Rhea Dillon, A Caribbean Ossuary (detail), 2022 Wooden cabinet and cut-crystal, 42 × 208 × 161.5 cm1/59Rhea Dillon, Every Ginnal Is A Star 2022 Plastic, 193 × 193 × 10 cm1/59Rhea Dillon, The Sombre Majesty (or, on being the pronounced dead) Soft Opening, London, 2022 1/59Rhea Dillon, New Wor(l)d. 2022 Sapele mahogany, oil stick and paper, 95.2 × 125 × 23 cm1/59Rhea Dillon, Both Low Hanging Fruit And The Scavenged High Rise – Either Way: Suspension. So, Slackening The Hold Here I Ask Through The Poethics Of Suspense, ‘How Can You Rest When Still Strung Up?’ 2022 Sapele mahogany crosier, bus seat moquettes and thread, 311 × 110 × 93 cm1/59Rhea Dillon, Both Low Hanging Fruit And The Scavenged High Rise – Either Way: Suspension. So, Slackening The Hold Here I Ask Through The Poethics Of Suspense, ‘How Can You Rest When Still Strung Up?’ 2022 Sapele mahogany crosier, bus seat moquettes and thread, 311 × 110 × 93 cm1/59Rhea Dillon, The Sombre Majesty (or, on being the pronounced dead) Soft Opening, London, 2022 1/59Rhea Dillon, Nonbody Nonthing No Thing V.O Curations, 2021 1/59Rhea Dillon, Nonbody Nonthing No Thing V.O Curations, 2021 1/59Rhea Dillon, From Landing to arriva(L) In Clear Waters Only I Can Paint Black 2021 Foam, bus seats, non drying anti-climb paint, plastic, acrylic paint & bleach, 135 × 88 × 72 cm1/59Rhea Dillon, From Landing to arriva(L) In Clear Waters Only I Can Paint Black (detail), 2021 Foam, bus seats, non drying anti-climb paint, plastic, acrylic paint & bleach, 135 × 88 × 72 cm1/59Rhea Dillon, Painting (D-o-u-b-l-e-P-e-n-d-u-l-u-m) 2021 Acrylic on bamboo, 142 × 2 × 4 cm1/59Rhea Dillon, Painting (D-o-u-b-l-e-P-e-n-d-u-l-u-m) (detail), 2021 Acrylic on bamboo, 142 × 2 × 4 cm1/59Rhea Dillon, Faeces I 2021 Polyester backing and foam, 45 × 55 cm (59 × 73 cm framed)1/59Rhea Dillon, The Myth Of The Noble Savage, A Hoodlum Afar And A Saint At Her Desk 2021 360° dome mirror, Jamaican coins, chain and non drying anti-climb paint, 60 × 60 × 134 cm1/59Rhea Dillon, The Myth Of The Noble Savage, A Hoodlum Afar And A Saint At Her Desk 2021 360° dome mirror, Jamaican coins, chain and non drying anti-climb paint, 60 × 60 × 134 cm1/59Rhea Dillon, The Myth Of The Noble Savage, A Hoodlum Afar And A Saint At Her Desk (detail), 2021 360° dome mirror, Jamaican coins, chain and non drying anti-climb paint, 60 × 60 × 134 cm1/59Rhea Dillon, Incomplete Lysis 2021 Concrete and glass, 43 × 15 × 29 cm1/59Rhea Dillon, Incomplete Lysis (detail), 2021 Concrete and glass, 43 × 15 × 29 cm1/59Rhea Dillon, Faeces II 2021 Polyester backing and foam, 45 × 55 cm (59 × 73 cm framed)1/59Rhea Dillon, Ffaeces I 2021 Polyester backing and foam, 45 × 34 cm (59 × 73 cm framed)1/59Rhea Dillon, Ffaeces III 2021 Polyester backing and foam, 45 × 34 cm (59 × 73 cm framed)1/59Rhea Dillon, Nonbody Nonthing No Thing V.O Curations, London, 2021 1/59Rhea Dillon, Vexilla Maurus 2021 Oil on canvas, 206 × 106 cm1/59Rhea Dillon, Vexilla Maurus (detail), 2021 Oil on canvas, 206 × 106 cm1/59Rhea Dillon, Janus Soft Opening, London, 2021 1/59Rhea Dillon, Janus Soft Opening, London, 2021 1/59Rhea Dillon, Janus *pause* leaking fortified enclaves 2020 Sapele Mahogany, steel and fluids, 100 × 100 × 18 cm1/59Rhea Dillon, Janus *pause* leaking fortified enclaves 2020 Sapele Mahogany, steel and fluids, 100 × 100 × 18 cm1/59Rhea Dillon, Cellar Door (A Litany) 2020 Anti climb paint, oil and newsprint on board, 86 × 51.5 cm1/59Rhea Dillon, Cellar Door (A Litany) (detail), 2020 Anti climb paint, oil and newsprint on board, 86 × 51.5 cm1/59Rhea Dillon, No Man Is An Island Almine Rech, London , 2020 1/59Rhea Dillon, Angels Die So Pigs Can Fly And Other Folks Tales 2020 Oil and acrylic on canvas, 40 × 30 cm 1/59Rhea Dillon, Icarus! Icarus! Icarus! 2020 Oil and acrylic on canvas, 45.5 × 35.5 cm1/59Rhea Dillon, Dishwater and No Images Peak Gallery, London, 2020 1/59Rhea Dillon, These words took years to arrive *pause* leaking fortified enclaves 2020 Ink and acrylic paint on paper mounted onto felt noticeboard, 60 × 90 cm1/59Rhea Dillon, UdderAngel 2020 Acrylic on canvas, 100 × 150 cm1/59Rhea Dillon, Golgotha 2020 Thread on Barbie blanket mounted on rusted steel cross, 196 × 120 × 30 cm1/59Rhea Dillon, Golgotha 2020 Thread on Barbie blanket mounted on rusted steel cross, 196 × 120 × 30 cm1/59Rhea Dillon, Atlas’ Duppeee Whoopeee Seat: women should stop cleaning faeces, everyone should clean faeces 2020 balloon, disinfectant, body oils & found object, 98 × 54 × 64 cm 1/59Rhea Dillon, (Working Title) Browning 2025 2021 Video, colour, sound, 28 min